From ‘sex-based rights’ to ‘become ungovernable’: from supremacy to solidarity

‘The inclusion of men who claim to have a female ‘gender identity’ into the category of women in law, policies and practice constitutes discrimination against women by impairing the recognition of women’s sex-based human rights. Organizations that promote the concept of ‘gender identity’ challenge the right of women and girls to define themselves on the basis of sex.’

This is an excerpt from the Declaration on Women’s Sex-Based Rights, launched in 2019, and now signed by over 30,000 individuals in 158 countries, in collaboration with 427 organisations. The Declaration has become the manifesto of contemporary gender-critical feminism, which positions itself against ‘gender identity’ and especially the ability to self-define one’s gender. It has roots in 1970s radical feminism and its concept of women as a ‘sex class’ defined by their ability to reproduce, but has become a banner under which feminists of all stripes gather alongside conservatives and libertarians. ‘Sex-based rights’ is a rallying cry of the movement, and the term is also now used by organisations such as Fawcett and in the mainstream media. 

I am not a legal scholar, but I do not think ‘sex-based rights’ has formal legal meaning. As a political discourse it sounds similar to the ‘sexual rights’ demanded in first and second wave Western feminism, but is more restrictive and exclusive. The Equality Act 2010 recognises nine protected characteristics, which include sex and gender reassignment, but does not grant specific rights to people possessing these characteristics, only the right not to be discriminated against. Feminism has a long history of fighting against ‘sex-based rights’ – for instance, the right of only men to vote – in favour of equal ones. In gender-critical feminism, arguments against sex discrimination are replaced by entitlements to possess sex-based rights. This foregrounds the biology that has been used to deny women citizenship in the past. I am not going to go into the legal technicalities of this, which others have done much better than I could, but I am interested in this political discourse and what its implications might be. 

Rights are a way of distributing resources. In the gender-critical framework, extending rights to another group – trans people, and specifically trans women – erodes cis women’s ‘sex-based rights.’ This territorial claim sits within what Nancy Fraser might call the rubric of recognition. It protects a piece of an imaginary pie, rather than attempting to enlarge the pie itself by tackling socio-economic conditions and the neoliberal mentalities that put us in competition for resources defined as scarce. It also does not question who is serving the pie, who baked it, what its ingredients are and where they were grown: as Nadine El-Enany reminds us, rights mediate entitlements to, and exclusions from, the spoils of empire. Whatever rights we may have are granted against this backdrop of genocide, theft, slavery, and environmental devastation. 

Anti-colonial scholarship tells us that citizenship is a mode of both belonging and bordering, demarcated by an ‘outside’. Entitlements to ‘sex-based rights’ require the exclusion of others. Fair Play for Women, one of the UK’s key gender-critical organisations, state: ‘do not let it go unchallenged when someone says it is illegal to exclude a transwoman from a woman-only space or service.’ The Equality Act allows service providers to offer a single-sex space without being in violation of discrimination law if such provision is justified. This does not mean, however, that individual women have the right to demand a single-sex space. In gender-critical feminism, Equality Act exemptions are reformulated as an entitlement to not have to share space or resources with a trans woman, and a right to exclude her


‘Sex-based’ rights are possessed by ‘real’ women, who gender-critical feminism defines as people assigned female at birth. This is biological, rather than legal, sex: it parallels the ‘born this way’ arguments for gay rights which have often proved successful for the wrong reasons. Diane Richardson has interpreted ‘born this way’ claims using Spivak’s notion of ‘strategic essentialism’: in contrast, gender-critical essentialism seems very deeply held. The movement has expended much energy attempting to exclude trans women from womanhood. After Labour leader Keir Starmer recently said: ‘trans women are women’, gender-critical figurehead JK Rowling called his comments ‘yet another indication that the Labour Party can no longer be counted on to defend women’s rights.’ The ‘real women’ of gender-critical feminism are also ‘respectable’ ones: it tends towards homonormativity in its rejection of queer identities, and its equation of BDSM and sex work with violence against women echoes the 1980s feminist ‘sex wars’. This appeal to moral purity and the ‘natural’ order of things also reaches deep into colonial history. 

As María Lugones writes, colonial capitalism simultaneously imposed the ideology of heteropatriarchy and invented the ideology of race to control land, production, and behaviour. Although notions of race have a longer history, colonialism systematically ‘raced’ populations so they could be hyper-exploited, and eventually discarded, by economic production. Populations were also systematically gendered to facilitate this process: women were subordinated to men and made solely responsible for social reproduction, and there were attempts to eradicate Indigenous genders that did not fit the Western binary. However, what Lugones calls the colonial/modern gender system has a ‘light’ and a dark’ side. The light side ordered bourgeois lives and constituted the meanings of gender and compulsory heterosexuality. The dark side of this system ‘was and is thoroughly violent’. Colonised people of all genders were reduced to less-than-human status and forced into ‘such deep labor exploitation that often people died working.’ 

In the 19th century, this brutal stratification system was underpinned by the sciences of sex and race. The Enlightenment, primarily a tool of white supremacist differentiation from the ‘savagery’ of the colonies, also biologised gender differentials that had previously been cosmologically given. Sex difference became a property of the white bourgeois classes, as narratives shifted away from the one-sex model to one containing two sexes which were fundamentally different, in which white, bourgeois women were imagined as permanently under sexual threat. Post-Enlightenment, Kyla Schuller writes, the achievement of civilisation and rationality was facilitated by ‘the sex difference allegedly lacking in the colonized’. Racialised people were assigned the unsexed state of ‘flesh’, be-numbed to pain and therefore readily available for abuse. 

Claims for ‘sex-based rights’ conjure up this history, as does the endangerment foregrounded in gender-critical feminism. The woman of gender-critical feminism is perpetually at risk, from ‘female and/or lesbian erasure’, and sexual violence. The idea of trans women as space invaders draws on the notion of ‘replacement’ which appears regularly on the far right. It is also not alien to the history of mainstream white feminism: bourgeois suffrage campaigners argued that votes for women would prevent the system being ‘overrun’ by newly enfranchised African American or working-class white men. And as Sophie Lewis describes, many Victorian feminists also supported other forms of containment, such as eugenic programmes in which bourgeois white women were encouraged to reproduce while other women were prevented from doing so. Extending this legacy, the gender-critical focus on the female reproductive body activates tropes about women as nation and conceals both the global care chains that facilitate Western motherhood and the labour of social reproduction also disproportionately performed by queer and trans people.   

In January 2019, at a joint panel with far-right think-tank the Heritage Foundation, Women’s Liberation Front board member Kara Dansky claimed that if the US Equality Act (which would protect sexual orientation and gender identity) was passed, the following would happen:

Male rapists will go to women’s prisons and will likely assault female inmates as has already happened in the UK. Female survivors of rape will be unable to contest male presence in women’s shelters. Men will dominate women’s sports. Girls who would have taken first place will be denied scholastic opportunity. Women who use male pronouns to talk about men may be arrested, fined, and banned from social media platforms. Girls will stay home from school when they have their periods to avoid harassment by boys in mixed sex toilets. Girls and women will no longer have the right to ask for female medical staff or intimate care providers, including elderly or disabled women who are at serious risk of sexual abuse.

Pleas for protection from this dystopia evoke the ‘purity’ cherished in white supremacist culture, and the sexualization of the ‘rabble’ that stalked fears of anticolonial resistance. Because of this, and even though women of colour participate in gender-critical feminism, these pleas may only be fully intelligible when articulated by and through bourgeois whiteness. They bring to mind Wendy Brown’s critiques of the ‘wounded attachments’ of feminism (which I have argued are actually those of white feminism), and its appeals to punitive state power. Although other groups, such as LGBT asylum-seekers, are forced to perform victimhood to gain recognition from the paternalistic state, in gender-critical feminism victimisation is essential and eternal, rather than rooted in the social world. 


Gender-critical feminism is attractive to the authoritarian powers currently attempting to generate consent through protection from any number of imagined dangers. Like the colonial regimes that preceded it, contemporary authoritarian populism stokes fear of sexual violence and entwines it with what Diane Richardson calls ‘sexual nationalism’, which positions sexual Others as sexual threats. As Judith Butler argues, ‘gender’ is now linked with all kinds of imagined ‘infiltrations’ of the national body. Border walls and bathroom bills construct immigrants and trans people as potential rapists, and while purporting to protect us, create the conditions for mass exploitation and abuse. In a context of social and economic crisis and ongoing pandemic, this use of sexual violence as a bordering project recalls the Cold War fuelling of homophobia. 

Gender-critical feminism has become aligned with the right- and far-right projects which foreground whiteness under threat from both the enemy without and the enemy within, and position gender identity (or ‘gender ideology’) as a repository for a cluster of resentments and fears. Gender-critical views circulate alongside white nationalisms and conspiracy theories, mainstreamed under the banner of ‘free speech’ (again, formulated as an individual right), and attractive to those casting about for someone to blame. In the US, gender-critical feminists have partnered with a number of far-right groups and have become part of the Christian right’s agenda to ‘divide and rule’ the LGBT community by separating the ‘T’ from the ‘LGB’. In Britain, the Institute of Race Relations recently warned that ‘gender critical’ feminism was playing directly into the hands of the far right. 

This repeats the history of colonial and imperial feminist entanglements, and the more contemporary femonationalist ones, in which powerful white men have professed their concern for women’s safety only when it serves their quest for domination. The crusade against ‘gender ideology’ is ultimately a crusade against all sexual and gender minorities, against feminism, against reproductive rights and against women. In Hungary, Poland, Russia, and the US, attacks on trans rights have quickly broadened along these lines. This is a process of excluding, expelling, or assimilating errant life, reasserting geographical and ideological borders, and defending the cis, white, enabled, ‘economically productive’ and heterosexually reproductive capitalist body. Gender-critical feminists are used as human shields for this process, cloaked in the garb of damsels in distress.

These agendas understand white women as property, to be abused at will but violently defended from the Others. Our bodies are worthy of protection, but only as a pretext for violence. This means that gender-critical feminism trades freedom for an experience of safety which is temporary at best. It echoes the heteronormative patriarchal contract in which women exchange submission for security, what Susan Griffin calls the ‘patriarchal protection racket’ and a framework in which rape within marriage is not just allowed but normalised. It also feeds the ‘law and order’ agendas developed through colonialism, that ‘put away’ populations deemed surplus to capitalist requirements. I have called this the ‘racial capitalist protection racket’: the acts and threats of sexual violence that keep us afraid, that make us docile subjects of capitalism, also drive us into the arms of the carceral-colonial state and enable many other kinds of violence in the service of capitalist accumulation. At what Gargi Bhattacharyya terms the ‘edge’ spaces of capitalism, the most vulnerable populations are both subjected to sexual violence and constructed as sexual threats. 


In March 2021, marketing executive Sarah Everard was murdered by serving Metropolitan Police officer Wayne Couzens, after disappearing from London’s Clapham Common. The previous June, members of the same police force were suspended for taking selfies with the bodies of murdered sisters Nicole Smallman and Bibaa Henry in a different London park. A vigil for these three women on Clapham Common, and almost 200 others who have died in police custody or prison in England and Wales, was subsequently led by feminist group Sisters Uncut and violently broken up by police. Yet mainstream demands following Everard’s murder promised more power to the carceral system – calls for the criminalisation of street harassment and for misogyny to become a hate crime.

While other feminists were demanding protection, Sisters Uncut said: ‘police are the perpetrators’, and launched the Kill The Bill campaign, which opposed the expanded policing powers in the Policing, Crime, Sentencing and Courts Bill (now passed) and asked the public to withdraw their consent from British policing. ‘Sisters Uncut maintain that more police powers will lead to more police violence and a society without police would be much safer,’ they said, demanding that police budgets be cut, and funding for domestic and sexual abuse services reinstated. They also launched police intervention training to help people know their rights and support others in dangerous policing situations, with a plan for national ‘CopWatch’ patrol groups. The slogan for this programme of work was ‘become ungovernable’. 

Withdrawing consent refers to the British tradition of ‘policing by consent’, and also to something much bigger. Even a cursory glance at the history and political economy of carceral systems tells us that they were not developed to keep us safe but to preserve state and elite interests, protect private property and resources, dispose of economically surplus populations, and ultimately ensure that racial capitalism functions unabated. The origins of policing lie in an 18th century triumvirate of oppression: colonialism, slavery, and control of the new industrial working class. The social contract, which is a sexual, racial and settler contract, is a covenant between white men that grants them sexual access to women, and (with white women) the race supremacy that rests on the dehumanisation of people of colour. This underpins the template of policing, which as Rinaldo Walcott writes, was founded on the idea that Black people and other people of colour are always suspect. What Walcott calls the ‘big threatening Black man’ is its archetype, with the vulnerable white woman as his foil. 

This iconography has legitimated colonial genocide, lynching, and the growth of the prison-industrial complex. In the everyday, it facilitates what Walcott calls ‘white deputisation’, with its key players described by Jessie Daniels as the ‘contemporary white women who call the police on black people sitting in a Starbucks, barbecuing in a park or napping in a dorm’. Mainstream white feminism also legitimates white supremacy by subscribing to what Alex Vitale calls the ‘liberal fantasy that the police exist to protect us from the bad guys’. However, like Sarah Everard’s murderer, many of the white men who purport to protect us from these Others reserve the right to abuse and kill us themselves. This is true of the other law enforcement officers worldwide who have harmed girls and women, and of the far-right politicians who profess concern for ‘women’s safety’ in their campaigns against immigrants and trans people, while harassing and assaulting both the women they know and the women who oppose them. 


While gender-critical feminism participates in the racial capitalist protection racket, Sisters Uncut, echoing Black liberation struggles, articulates a politics of refusal. On the anniversary of the Clapham Common vigil, they set off 1000 rape alarms at Charing Cross police station, a loud seizure of public space. In contrast, gender-critical feminism portends a return to 19th century bourgeois segregation. The ‘real woman’ is a symbol of moral order, set against a dystopia without borders and boundaries, the world Sisters Uncut inhabit in their solidarity with global abolition struggles. Gender-critical feminism can be seen as both a reduction of white women to the status of property and an attempt to protect what Cheryl Harris would call whiteness as property: a status property that confers rights denied to others, and entails a right to exclude. Recognising trans women as women, for gender-critical feminists, diminishes the value of womanhood – a value often realised within white supremacy through narratives of endangerment and victimisation. Gender-critical feminism echoes white nationalist politics in enacting victimhood and domination at the same time. 

The far-right war on women benefits from these forms of white womanhood that attempt to preserve their own position by punching down on ‘degenerate’ sisters. The enforced economic scarcity of neoliberal capitalism is legitimised by claims to resources and support for the ‘good’ women rather than the ‘bad’. The construction of trans people as aggressors conceals the fact that they are also subject to the male violence cis women fear. This violence is both interpersonal and structural; it is necropolitical state violence, the violence of war, and violence against the planet. Understanding this raises important questions: which lives are to be protected at all costs? Which are to be protected to protect the system? Which are already meant to be lost? 

Sisters Uncut articulates a politics based on grappling with these questions, undoing both gender and race by rejecting the law enforcement that protects the property of whiteness. In contrast, gender-critical feminism attempts to gain ground within racial capitalism by demanding protection that can only fully be claimed by bourgeois white women, reinstating the heterosexual matrix in the process. Gender-critical feminism is both deeply complicit with authoritarian governance and not critical of gender at all. The distance between ‘sex-based rights’ and ‘become ungovernable’ is the difference between supremacy and solidarity.



This piece is the text of a talk given at Newcastle University on 12th May 2022, at an event to celebrate Professor Diane Richardson’s retirement. 

White feminism and the racial capitalist protection racket: from #MeToo to Me, Not You

Originally published on the Manchester University Press blog

On May 25th 2020, Minnesota police officer Derek Chauvin murdered George Floyd, an act that precipitated a powerful wave of Black Lives Matter protests across the world. May 25th 2020 was also the day Amy Cooper (a white woman) called the police on birdwatcher Christian Cooper (a Black man, no relation) because he asked her to leash her dog in Central Park. Her use of the phrase ‘there’s an African-American man threatening my life’ was a threat to get Christian Cooper killed by a cop.

These incidents are linked by more than just a moment in time. White women are deeply, and often deliberately, complicit with white supremacist violence, and our complicity usually takes the form of victimhood that appeals to the punitive power of the state. And although her allegation against Christian Cooper was false, Amy Cooper has something in common with mainstream feminist movements that coalesce around genuine victimisation and trauma, such as the recent viral iteration of #MeToo. The focus of these movements tends to be naming and shaming perpetrators and calling for institutional discipline or criminal punishment to get these ‘bad men.’

My book Me, Not You describes the political dynamics of mainstream white feminism in the core Anglosphere and parts of Europe. It makes a difficult and uncomfortable argument: that this movement, exemplified by #MeToo, not only centres bourgeois white women but also treats other groups as disposable. This is not just about inclusion and representation, but about the ideologies and attachments that undergird our politics; it is not primarily about individuals, but about the systems and structures that shape our world.

In March 2021, marketing executive Sarah Everard was allegedly murdered by a serving Metropolitan Police officer after disappearing from London’s Clapham Common. The previous June, members of the same police force were suspended for taking selfies with the bodies of murdered sisters Nicole Smallman and Bibaa Henry in a different London park. A vigil for these three women, and almost 200 others who have died in police custody or prison in England and Wales, was subsequently led by feminist group Sisters Uncut and violently broken up by police. Yet mainstream demands following Everard’s murder promised more power to the carceral system – calls for the criminalisation of street harassment and for misogyny to become a hate crime.

The demands themselves were unsurprising, but that such carceral feminism persists even after a white woman has allegedly been murdered by a cop shows how deeply mainstream feminism is mired in white supremacy. We are happy to say ‘Black Lives Matter’, but we do not put our own interests on the line and act with an understanding of exactly what police and prisons are for. Abolitionist thinking tells us that carceral systems preserve state and elite interests, protect private property and resources, dispose of economically surplus populations, and ultimately ensure that racial capitalism functions unabated. While we say, ‘Black Lives Matter’, we legitimate the very systems that demand, and deliver, Black demise.

White women’s experiences of sexual violence enter a world in which ‘protecting white womanhood’ is really about protecting racial capitalism and white supremacy. Because of this, we claim protection that has always been predicated on Black death and the deaths of other marginalised people. Furthermore, although bourgeois white women are not usually subject to state violence, the same white men who purport to protect us from the Others do reserve the right to abuse and kill us themselves.

This is true of Sarah Everard’s alleged murderer, and countless other law enforcement officers worldwide who have harmed girls and women. It is also true of the far-right politicians who profess concern for ‘women’s safety’ in their campaigns against immigrants and trans people, while harassing and assaulting the women they know. This is the patriarchal protection racket writ large – the threat of stranger rape that makes women seek safety with our male partners and family members, who are actually more likely to abuse us. At systemic levels, this protection racket mainly targets class-privileged white women. And it is fundamental to the preservation of racial capitalism.

Acts and threats of sexual violence impose bourgeois binary gender and facilitate the free and low-cost social reproduction capitalism depends on. Sexual violence keeps women in our place, and punishes anyone who does not conform to dominant gender and sexual norms. Acts and threats of sexual violence also support historical and ongoing colonial systems in which commercial and caring labour is extracted from Black and other racialised communities for little or no reward. Rape is a practice of terror used to subjugate colonised, displaced and dispossessed populations in war, occupation, settlement, enslavement and theft (including their neo-colonial forms).

At the same time, the pretext of ‘protecting (white) women’ constructs communities, cultures and nations as violent to justify colonisation, border regimes and military-industrial projects, and to dispose of unwanted populations. Black feminist historians have exposed the widespread brutalisation and killing of Black, enslaved and other racialised and colonised men in response to allegations made by or on behalf of white women. The spectre of sexual danger is still deployed to vilify, abuse and kill Black men and other men of colour, and to construct queer and trans people as threats and make it impossible for us to survive. It facilitates the demonisation and deportation of migrants, the invasion of countries, and the ‘putting away’ of racialised and classed groups deemed surplus to capitalist requirements.

In all these ways, sexual violence is a pivot for the intersecting systems of heteropatriarchy, racial capitalism and colonialism. The acts and threats that keep us afraid, that make us docile subjects of capitalism, also drive us into the arms of the carceral-colonial state and enable many other kinds of violence in the service of capitalist accumulation. By pulling the levers of carceral systems, white feminism is a willing participant in this racial capitalist protection racket. In the process, it trades freedom for the illusion of safety and treats more marginalised groups as disposable. This is how #MeToo often ends up becoming Me, Not You.

Gender, Violence and White Feminism: Q&A with Alison Phipps

This is an interview I did for the Climate Emergency Manchester blog.

Could you tell us a little about yourself – where you grew up, went to school, how you came to be a Professor of Gender Studies?

I was born in North Yorkshire, then lived in Teeside for a while before my family moved to Bristol. After doing my GCSEs at the local comprehensive, I left home at 16 – I wanted to be a dancer and went into full-time professional training. But I lacked the talent to pursue ballet (my real passion) and was too self-conscious for musical theatre. So I mixed cocktails in a nightclub, and wrapped soap baskets in a Body Shop, but wasn’t content. I’d managed to get two A-levels at dance college, which in the 1990s was enough for a place at Manchester University – I chose politics and modern history. I was the first woman in my family to get a degree, and remain the only person ever in my family to be an academic. To start with, the language and ideas I encountered at university baffled me. But feminism was different.

I come from a long line of strong working women, but had been encouraged to aspire to white bourgeois femininity – feminist theory helped me understand why. I came out as queer, which was a personal and political revelation – in butch/femme communities and relationships I decoupled gender from assigned sex and learned femininity was something to experiment with and enjoy. I also realised that the state forces amassed against queer people – that were still raiding gay bars at the time – were not my route to liberation. And that there were some feminists who saw me as an impediment to theirs – in the lesbian ‘sex wars’ of the 1980s, butch/femme, BDSM and sex work were all seen as a capitulation to patriarchal dynamics rather than a way to subvert them.

I never planned to be an academic – but in between doing various office jobs I was offered a scholarship for my MA at Manchester, and won one to do my PhD at Cambridge. In 2005, just before I submitted my PhD thesis, I moved down to Brighton with my long-term girlfriend at the time. I was doing administration for the City Council and making sandwiches in a local café, when an hourly-paid teaching role came up at Brighton University. Then a temporary contract was advertised at Sussex – 9-months of cover for the Director of Gender Studies – and I got it. I’ve been at Sussex ever since. I ran Gender Studies till 2018, taking breaks to have two kids, and have worked part-time since 2011. I was promoted to Professor of Gender Studies in 2017.

How did Me, Not You come about, who do you hope reads it and what impact do you want it to have?

This book was in the making for a very long time. A year after I got my job at Sussex, something happened in my personal life – I was raped by a woman I was involved with. It happened in a small arts-based community, which largely closed ranks around her and ignored or dismissed me – this meant that apart from a few loyal friends, I only had books and writing to get me through the experience. I didn’t entertain going to the police – the perpetrator had a young daughter and was much more marginalised than I was, so I knew police involvement would harm her, perhaps even more than she had harmed me. While I was dealing with my own trauma, I also began to be approached by students who had been raped, because of my role as Director of Gender Studies. So I became a scholar-activist – and supporting survivors, pushing for institutional change, and building relationships with services and organisations were all intertwined with my research on sexual violence.

Long before #MeToo went viral, activists in universities had been ‘naming and shaming’ perpetrators in the media – this was often the only option. But I was always left with the question: where did these ‘bad men’ go? I knew some of them went to other institutions and continued the same behaviour – the ‘pass the harasser’ problem. And I worried that the suggested solution – to exclude perpetrators entirely from academia – might just outsource them to lower-status sectors, where women had fewer rights and protections. This fear of creating collateral damage was magnified in relation to criminal punishment – even when it is visited on privileged white men, this creates massive collateral damage amongst Black people and other marginalised groups. This was where ‘Me, Not You’ came from – it’s a play on and critique of #MeToo. It describes how mainstream white feminism is very self-regarding – my victimisation is the most important thing, and I will do whatever it takes to feel safe and/or vindicated, regardless of the consequences.

Me, Not You is written for fellow white women and white feminists. It’s about how mainstream feminism fails to tackle the structures that cause sexual violence – especially the deep structure of racial capitalism – and ends up fortifying them instead. The book is built on Black feminist theory, and Black women and other women of colour won’t need to read it – it won’t tell them anything they don’t already know. I hope the book will speak to white women who, like me, are uneasy about mainstream feminism and want to do things differently. In the conclusion, I discuss the concept of ‘abolition feminism’ as defined by Angela Davis – and as abolition moves into the mainstream lexicon following the police murders of George Floyd, Breonna Taylor, Tony McDade and countless others, I hope my book will explain why white feminism is not abolition feminism, and suggest how it could move in that direction.

You must have been totally unsurprised by the video of white woman Amy Cooper being asked by Christian Cooper (a Black man, no relation) to put her dog on a lead in Central Park, and calling the police to say he was threatening her. Is this a perfect representation of what you mean by political whiteness, and the ways in which white women’s vulnerability – real or imagined – is weaponised?

Political whiteness is the term I use in my book for the way mainstream feminism and other white-dominated forms of politics operate. It centres on victimhood, whether that’s the genuine sexual trauma at the root of #MeToo and other mainstream feminist movements, or the imagined white victimhood of the backlash against feminism, the vote for Brexit and the election of Trump. Whiteness is predisposed to woundedness – from a position of power, one is naturally preoccupied with threat. In white feminism, sexual trauma becomes political capital via the media, which usually leads to demands for criminal punishment or institutional discipline. This happens with little regard for more marginalised people – and as we know, the criminal punishment system is not designed to deal with men such as Harvey Weinstein, but to protect the interests of white elites and ‘put away’ those deemed surplus to requirements in racial capitalist production.

The wounded white woman is the icon of mainstream feminism – she’s also a trophy of the authoritarian right. Her power is rooted in colonial history – the ‘protection’ of bourgeois white women from indigenous, colonised and enslaved men (and subsequently, from free Black men) justified genocide and murder, and colonialism itself. And white women were deeply complicit – there is a long history of false allegations prompting racist state and community violence. Police in the US, UK and elsewhere continue to murder Black people, and (white) ‘women’s safety’ continues to justify state violence and the politics of the far right. As Zeba Blay has written, Amy Cooper was well aware of this when she told the police ‘there’s an African-American man threatening my life’. This was a reminder that she could get Christian Cooper killed by a cop. This act was more deliberate than the political whiteness I identify in #MeToo and other mainstream feminist movements. But white feminism can easily become intentionally cruel – trans- and sex worker-exclusionary feminists, for example, are similar to the Amy Coopers of the world in their wilful use of stories of sexual trauma to ostracise and vilify their enemies.

The same day as the Amy Cooper incident, a police officer in Minneapolis murdered George Floyd by kneeling on his neck. This has prompted enormous protests in the US and other countries including the UK. What is your reaction to these events? Who are the most astute thinkers on this that we should all be following and reading?

To be honest, I’m not sure my reaction to these events deserves much space. I am in solidarity with Black people, and part of doing (as well as saying) that is to pass the mic. Black Lives Matter, and Black voices matter too – and the second is a precondition for the first. In other words, we can’t claim to oppose anti-Black racism while objectifying and speaking over Black people. There is a wealth of commentary and analysis being produced by Black people on current events – such as these articles by Zoe Samudzi, Mariame Kaba and Keeanga-Yamahtta Taylor, these discussions hosted by Kimberlé Crenshaw and the Dream Defenders, and so much more besides. Many of these people are on Twitter, and if you follow them you’ll find many others. I can also share some general recommendations for Black feminist thinkers who are important to me.

Angela Davis, of course, is a legend – you can download Women, Race and Class and Are Prisons Obsolete? online, and you can also watch talks and interviews like this one on abolition feminism. Ruth Wilson Gilmore is incredible too, and while I recommend her book Golden Gulag (and she has another one, Change Everything, forthcoming), there are also various pieces by and interviews with her available free. Mariame Kaba is an inspiration to me and pretty much everyone else I share politics with – I’ll forever be proud and amazed that she endorsed my book, and I turn to her words almost every day. She is also hugely generous with her intellect and insight and can be found on many websites, podcasts and other platforms – the best thing to do is to visit her personal website and follow some links.

And in case any of your readers are under the impression that anti-Black racism is just a US problem, I’ll make some UK-specific recommendations. Reni Eddo-Lodge’s book has become a contemporary classic, and is a very accessible read for white people wanting to educate themselves on race. Lola Olufemi has a new book out, which is also very accessible and highlights issues with white bourgeois feminism as well as setting out her own feminist manifesto. I love the Surviving Society podcast – it’s co-hosted by Black scholars Chantelle Lewis and Tissot Regis, and covers a wide range of issues but with a particular lens on race.

I also want to draw your attention to this article by Lauren Michele Jackson – ‘What is an anti-racist reading list for?’ In it, she rightly states that while book recommendations are easy to give and feel good to receive, at some point we have to do the work of reading, and the gap between recommendations and reading is often a gulf. Furthermore, she argues, merely reading work by Black scholars is not anti-racism in and of itself, and in fact this can lead to the kind of ‘self-enlightenment’ which replaces political action. This does not mean we shouldn’t read – far from it – but reading the right things has to be part of a broader strategy.

Near the end of the book you have a brief section on things individuals can do, something you expand on in a recent blog post. How big a danger is it that a ‘white fragility’ focus will allow white people to try to ‘purge themselves’ of racism without fronting up to racist structures? How can we work against this and ‘do’ allyship (or comradeship as you put it) for the long haul, after the hashtags fade?

The drawbacks of ‘white fragility’ discourse are both a huge danger and an awful reality. Alison Whittaker and Lauren Michele Jackson are among many writers of colour who argue that the psychological focus of ‘white fragility’, and the individualistic focus of ‘white privilege’, reduce anti-racism to navel-gazing and hand-wringing rather than work towards structural change. As I say in my recent blog, this is a re-centring of the self, not a genuine engagement with the Other. And in the midst of the current Black Lives Matter protests, white people have centred ourselves on an industrial scale. From kneeling in the street attempting to ‘renounce our privilege’, to making airbrushed celebrity videos confessing guilt and ‘taking responsibility’, to institutional proclamations with no evidence of anti-racist actions (and plenty of evidence of racist ones).

As feminism has long told us, the personal is political – and white people are heavily invested in racial capitalist structures. Divesting from these will require work on the self, but self-analysis is not politics. Perhaps we need to shift the focus away from ‘how am I feeling?’ to ‘what am I doing?’ This doesn’t mean ignoring emotions, it means dealing with them in appropriate ways and not mistaking them for action. It means decentring ourselves and focusing on the Other; it means a politics of care. This isn’t easy in our narcissistic, stingy neoliberal culture – and for white feminists, being asked to care may evoke the compelled care we have historically opposed. Contemporary white feminists tend to eschew care – ‘nasty women’ are fuelled by rage. But this highlights the individualism of our politics, and its foundations in the nuclear family and binary gender. Rage on behalf of the self, which often seeks revenge, is perhaps seen as feminist because in the bourgeois nuclear family, the female self is diminished and denied.

By ‘care’, I mean an orientation to the social and natural world, not picking up your husband’s socks. For marginalised groups, care is a necessity – for instance, the disabled people and working class people (many of them Black and people of colour) abandoned by austerity regimes, and the queer and trans people creating new support systems when their families of origin reject them. Care is central to Black feminism and other revolutionary politics because it rejects and undoes racial capitalist violence and creates different ways of life. I want white feminists to learn from this. I want responsibilities for care held in common, beyond the gender binary, care for other human beings globally (especially the most marginalised), and care for our planet. In racial capitalism, care can be violence because it is compelled, forced, outsourced and unevenly distributed, and withheld from those who need it most. But care is also at the heart of the alternatives we need. As Ruth Wilson Gilmore says, abolition means making the conditions for a better world. So if we are going to ‘do’ comradeship after the hashtags fade, we might begin by caring for each other.

Transphobia, whorephobia and (as) capitalist-colonial gender

This is the first of a series of blogs I will write following the webinar on my book Me, Not You: the trouble with mainstream feminism. This was broadcast on April 7th to over 100 attendees, who asked some fantastic questions! Because I didn’t get a chance to answer all these during the session, I thought I would answer some of them now. This first piece covers a couple of related questions, pertaining to reactionary trans- and sex-worker-exclusionary feminisms. I deconstruct these feminisms in detail in Chapter Four (‘The Outrage Economy’) and Chapter Six (‘Feminists and the Far Right’) of the book, arguing that they intensify the political whiteness of the mainstream. Reactionary feminism turns mainstream feminist narcissism into an ‘us and them’ mentality, and the mainstream will to power becomes necropolitics that actively targets more marginalised people. Two of the questions asked during the webinar have prompted me to elaborate: on how the exclusion of sex workers and trans people is specifically classed and raced, and how trans- and sex-worker-hostile feminisms are connected (and these two matters are also closely linked). I am grateful for these questions, as they allow me to expand arguments I had limited space for in the book.

As I say in Me, Not You, the class and race politics around sex workers and trans people is both symbolic and material. First, there are the demographics: women of colour and trans people are over-represented in the sex industry, and trans women of colour in particular are disproportionately likely to sell sex. And although there is relative marginality and privilege within these categories, sex workers and trans people (and people who fit both these descriptions) often occupy marginalised economic and social positions. They are among the many workers who make up the gendered and raced global proletariat and precariat; they survive at the sharp end of neoliberal economies and austerity regimes and are often criminalised for doing so. In necropolitical systems, trans and sex-working people have high vulnerability to premature death through state neglect or violence. As Sophie Lewis argues, these groups are treated as ‘bare life’ by police and courts – they are not seen as deserving of justice or protection (unless this is the paternalistic ‘protection’ of moral panic, which does not protect them at all). This sits in sharp contrast to the privileged white women who dominate mainstream feminism, whose protection is the insignia of white supremacy (even if it does not always translate into formal justice). And the narcissism of mainstream feminism – the ‘me, not you’ of political whiteness – means that women not made in the image of bourgeois whiteness are rarely represented.

Symbolically, sex workers and trans women are disapproved-of women who challenge bourgeois gender norms in various ways. This makes mainstream feminism stingy with its solidarity, while more reactionary feminism actually treats these women as the enemy. Reactionary trans- and sex-worker-hostile feminism is concerned with policing the borders of feminism and womanhood: as I say in Me, Not You, neither the ‘unnatural’ or the ‘unrespectable’ woman can ever be a real woman. Instead, their bodies are sites of judgment and disgust. Sometimes they represent a hyper-femininity which is seen as sleazy and fake: the association between anti-trans and anti-sex-work feminism peaks in the description of trans women as ‘pornified’ representations of ‘real’ women. As Lewis says: ‘they think that trans women and sex workers are pornography. They look at us and they see men, contamination by men, rape.’ As Lewis’ quote also implies, these are women who are ‘too much’ woman and not enough. In reactionary feminism, trans women and sex workers are tainted by association with men: sex workers become one with their clients; trans women become men themselves.

These depictions of trans women and sex workers, with their ‘excessive’ bodies and sexualities and failure to be properly gendered, sit alongside, and draw from, similar ones which are more explicitly classed and raced. For instance, of the working class ‘chavs’, bodies spilling out of their clothes, who are afflicted with uncontrolled fecundity. Or the sexually aggressive Black man and his counterpart, the Black woman who is always ‘up for it’ and therefore cannot be raped. These constructions have long histories rooted in capitalist exploitation and colonial conquest. Hortense Spillers describes how the ‘thingification’ required by slavery separated sexuality from subjectivity, reducing Black people to flesh and making their bodies both threatening and pornographic (and designed to be mutilated and killed). Post-abolition, these processes continued, shaping Black people’s relationship to the criminal punishment system (as both complainants and defendants), and meaning that Black women who did not sell sex to survive were likely to be associated with prostitution nonetheless. In the 21st century, Black trans women are especially likely to be profiled as sex workers by law enforcement. As I write in Me, Not You, the phrase ‘walking while trans’ was popularised after activist Monica Jones was found guilty of ‘manifesting prostitution’ for accepting a car ride from two undercover police officers in Phoenix in 2014.

Monica Jones’ experience illustrates how transphobia and whorephobia intertwine with other processes of classed and raced disgust. Disgust is a way of defending territory: whether this is national boundaries or economic entitlements, claims to legitimate womanhood, or public and political space. Like other forms of bigotry, trans- and sex-worker-hostile feminism is a border control project: the middle class white woman who calls the police on Black kids barbecuing in the park is adjacent to, or sometimes synonymous with, the reactionary feminists who want their streets swept clean of sex workers, and their public toilet doors slammed in the faces of women who are not ‘real’. To hide this bourgeois disgust, reactionary feminism goes on the defensive: trans people become self-involved millennials and sex workers ‘happy hookers’ not qualified to speak on their own lives or the economic and social relations that shape them. Against them, reactionary feminists wield the ‘survivors’, ex sex workers and de-transitioners whose genuine trauma fortifies a disingenuous politics of concern. But really, this feminism is preoccupied with its own actual or potential victimisation. Sex workers cause the rape of ‘respectable’ (white, bourgeois) women by pandering to male sexual entitlement. Trans women commit rape against ‘natural’ (white, bourgeois) women, or ‘rape’ their bodies symbolically by attempting to ‘change sex’.

Black feminism tells us that there is a matrix of race, class and gender domination here in which one category cannot be understood in exclusion from the others. This articulates what Lugones calls the ‘coloniality of gender’, the system in which white bourgeois gender, violently exported and imposed by colonial capitalism, is the norm and ideal that justifies extractive and violent economic relations. For Lugones, the modern gender system has a ‘light’ and a ‘dark’ side, and on the latter, people of colour are de-gendered ready for conquest, abduction, exploitation and eventual disposal. Because of this, Christina Sharpe and other Black feminists have called Black people already transgendered and queered: racism overdetermines their bodies with meaning but divests them of normative markers. Binary bourgeois gender appears in sharp relief against what Spillers calls the Black captives ‘ungendered’ in the hold of the ship, where captivity de-domesticated and de-kinned, unmade cultures and quantified all bodies under the same property relations and rules of accounting. Bourgeois gender also appears in sharp relief against the criminals’, ‘prostitutes’, ‘thugs’ and ‘birthers of terror’ that supplant girls and boys, men and women, in what Sharpe calls the contemporary anagrammatics of Blackness (the process by which ‘grammatical gender’ falls away). There are related processes of ‘falling away’ at work in the cultural differentiation of class, as the experiences of working class women (many of whom are also women of colour) who report rape will attest.

Transphobia and whorephobia are fruits on this tree of capitalist-colonial gender. As I write in Me, Not You, Flavia Dzodan has called trans-exclusionary feminism a settler-colonial mentality, an attempt to solidify sex and gender categories that sees womanhood as immutable. Its essentialist mindset reflects how ‘the coloniser could name us, assign us a place and a role in the hierarchies.’ Trans and sex-working people join the ranks of other ‘deviants’, seen as inappropriately gendered and over-sexed in ways which ultimately express their relations to capital. Lewis argues that disdain for trans people and sex workers is disdain for bodies not easily assimilated to capitalist production and reproduction. For her, trans- and sex-worker-hostile feminisms are united by ‘the myth that says that we can and must protect our selves and bodies from commodification and technological contamination, the better to do healthful productive work.’ Sex workers and trans people tend to exist on the economic margins, overlapping with the working class people capitalism delights in exploiting and alienating via ‘healthful productive work’, overlapping with the people of colour (and especially Black people) that were never meant to survive. The reactionary feminist border against these people is defended with the artillery of gender. This is naturalised as ‘sex’: reactionary feminists are female rather than feminine (which they abhor); reactionary feminists are ‘real women’, unlike the Others. They claim the ‘authentic’ gender that is a key tool of capitalist-colonial domination: ‘unnatural’ and ‘unrespectable’ women can never be real women.

The political whiteness of #MeToo

This is an edited extract of a chapter from my forthcoming book Me, Not You: the trouble with mainstream feminism. It appeared in Red Pepper on June 4th 2019.

On January 24th 2018, gymnastics coach Larry Nassar was sentenced to 40 to 175 years in a Michigan state prison for seven counts of sexual assault of minors. This was one of three sentences given to Nassar, accused of molesting at least 250 girls and young women and one young man, between 1992 and 2016. Sentencing Judge Rosemarie Aquilina told him that, if authorised, she would ‘allow some or many people to do to him what he did to others’. ‘I just signed your death warrant’, she said. Aquilina was subsequently described as a ‘a bona-fide feminist icon’, ‘#MeToo hero of the week’, and a paragon of ‘transformative justice.’

This story exemplifies what I call ‘political whiteness.’ I am going to state the obvious: the domination of mainstream feminism by bourgeois white women shapes what Clare Hemmings might call its political grammar. In other words, the form in which its stories are told, and the assumptions and meanings these draw on and create. For instance, that rape is perpetrated by ‘bad men’ who should be exposed. That police exist to catch these men, and courts to do justice on them. That they ought to be punished as severely as possible. Beneath these lie deeply held beliefs: people are either victims or perpetrators, but not both; the state is protective rather than oppressive; shaming and punishment work.

Political whiteness is similar to the term ‘white feminism’, which describes feminist perspectives (often willfully) ignorant of the struggles, cultural output and politics of women of colour. But political whiteness is broader and deeper than that. It is produced by the combination of supremacy and victimhood, which creates a focus on the injured self, an obsession with threat, and an accompanying will to power. It characterises both white feminism and the backlash (or whitelash) against it. It might seem insensitive to associate feminism with the misogynist backlash. But acknowledging the central role of race demands that we do.

‘I’m everything’ – the white self

On International Women’s Day 2019, #MeToo co-leader Alyssa Milano tweeted: ‘My transgender sisters! I am celebrating YOU this #NationalWomensDay!’ Soon after, a male user asked: ‘Alyssa are you transgender?’ Her response is worth repeating in full.

‘I’m trans. I’m a person of color. I’m an immigrant. I’m a lesbian. I’m a gay man. I’m the disabled.

I’m everything. And so are you, Kirk.

Don’t be afraid of what you don’t know or understand. No one wants to hurt you. We are all just looking for our happily ever after.’

Milano quickly followed this tweet with another quoting 13th Century Persian poet and Islamic scholar Rumi: ‘This is a subtle truth. Whatever you love, you are.’

This event can tell us much about white feminism. It is nominally inclusive, but inclusion depends on white women being centred as those who grant it. We speak for other groups, rather than letting them speak for themselves. We see ourselves as experts and saviours. We speak of mutual love and happiness with no acknowledgement of our role in the violence of capitalism and white supremacy. We appropriate the ideas and politics of non-white people to justify these power games. I have certainly done all these things. If you are a white woman reading this, you have probably done them too.

Critical studies of whiteness have highlighted the central role of narcissism in white identity. White people see ourselves in everything around us: political and corporate leaders look like us; celebrities and other public figures do too. Most of us live and work in predominantly white neighbourhoods and communities – we hardly, if ever, enter a space in which we don’t belong. As Sara Ahmed says, whiteness is a mode of being ‘at home’ in the world. We don’t get stopped at the border. We don’t worry about being brutalised by the police. We are not seen and treated as Other, day in and day out. We don’t get called angry and unreasonable when we mention our race.

White people are ‘everything’. Our views are objective, and our experiences can represent those of everyone else. We expect to be centred, even in anti-racist movements. As Robin DiAngelo writes in her famous article ‘White Fragility’, we stand for humanity. This means that mainstream feminism can make claims about ‘women’s victimhood’ based on the experiences of bourgeois white women. And it always has done: in 1982, black feminist Hazel Carby highlighted how dominant feminist narratives (for instance, about the family and the police) excluded black women and other women of colour.

White feminist narcissism has its mirror in that of the backlash. What about the (white) men? The experience of whiteness as comfort lowers our capacity to tolerate its opposite, especially in the form of being held accountable. Accountability exposes the deep fragility of whiteness. This is demonstrated by the use of the phrase ‘witch-hunt’ about movements like #MeToo. Sometimes they are called ‘lynch mobs’, which is even worse. This rhetoric equates attempts to hold powerful people to account with the systematic and violent persecution of marginalised groups.

Counter-attack is then inevitable. In #MeToo, this took a number of forms: the hashtag #HimToo which identified accused men as victims and advised all men to be scared; men on Wall Street who decided to avoid women at all costs for protection; chest-beating about false allegations; victim-blaming; and the rest. White women were part of this backlash as well: celebrities, libertarian feminists and conservative female commentators all took part in the frenzy of concern trolling and disbelief. Catherine Deneuve bemoaned the ‘media lynching’ of men accused of sexual harassment. Melanie Phillips opined that it was ‘time vilified men had their #MeToo.’

White selves as wounded selves

The narcissistic centring of the self is bound to produce wounds. The backlash against #MeToo was obsessed with the ‘wounds’ of accused men and critics of the movement. Katie Roiphe, who had been a key figure in the 1990s backlash against sexual violence activism on US campuses, penned an article in Harper’s Magazine called ‘The Other Whisper Network’. In it, she claimed #MeToo’s detractors were so afraid of recriminations they could not speak. ‘Can you see why some of us are whispering?’ she asked. ‘It is the sense of viciousness lying in wait, of violent hate just waiting to be unfurled.’

These ‘wounds’ predominate despite the fact that the backlash criticises women – and feminists – for engaging in ‘victim politics’. This is a petulant howl about whose wounds are worse, who are the real victims, who is being victimised by all this talk of victimhood. This right-wing victim/anti-victim rhetoric often emerges in response to feminist campaigns against sexual violence. It is also fortified at a time when the ‘wounds’ of the right have come to dominate Anglo-American public discourse, exemplified by Brexit and the election of Trump.

Whiteness is predisposed to woundedness. From a position of power, one naturally becomes preoccupied with threat. The figures of the settler and the master are emblems of conquest and subjugation, but there is always a risk these figures will be displaced or violently overthrown. Whether from indigenous populations, enslaved people, immigrants, ‘political correctness’ or ‘social justice warriors’, the idea of whiteness under threat has significant cultural influence. And ‘victim politics’ is victimisation because it means consequences for dominant groups accustomed to acting with impunity.

On International Men’s Day 2019, Piers Morgan ushered in the celebrations with a monologue comparing bourgeois white men to endangered rhinos. ‘Yes, we do need a day’, he said. ‘We are now the most downtrodden group of men in the world.’ White feminists have generally (and rightly) given such statements short shrift. In 2014, following a series of online attacks from men’s rights activists, feminist writer Jessica Valenti tweeted a picture of herself in a T-shirt that read: I BATHE IN MALE TEARS.

But what about female tears? White woundedness and fragility also exist in feminist politics, often becoming most obvious in conversations about race. Mamta Motwani Accapadi is one of many feminists of colour who have described how white feminists use tears to deflect and avoid accountability in difficult discussions. These tears hide the harms we perpetrate through our involvement in white supremacy. And the power of white women’s tears still reflects white supremacy even when those tears are shed over genuine experiences of trauma.

Water was a powerful metaphor in #MeToo. The movement was described as a ‘flood’ of stories of sexual assault by CNN, CBS and CBC, and a ‘tsunami’ on CNBC, in the Times of India, the New York Times and the US National Post. These metaphors for natural disaster evoked trauma on a massive scale. They constructed sexual violence as a ‘force of nature’, which (unfortunately) tapped long-established patriarchal myths. They also represented the movement as a collective weeping, a release of (white) tears.

Tears epitomise white femininity. They evoke the damsel in distress and the mourning, lamenting women of myth. Niobe wept unceasingly after her children were killed by Artemis and Apollo; even after being turned to stone, tears poured from her petrified face. Penelope waited for her husband Odysseus for two decades in her ‘bed of sorrows’, which she watered with tears until she fell asleep. In an article on #MeToo, Jamilah Lemieux commented: ‘white women know how to be victims. They know just how to bleed and weep in the public square, they fundamentally understand that they are entitled to sympathy.’

The cultural power of mainstream feminism is linked to the cultural power of white tears. The woundedness attached to whiteness can cross boundaries between reactionary and progressive politics. It encompasses the lost entitlements of the backlash and the resentment driving Brexit and Trump supporters, and the deeply felt trauma of sexual violence. These injuries (or perceived injuries, on the right) are not at all equivalent. But mainstream feminist activism against sexual violence is shaped by the woundedness of white bourgeois femininity.

This wounded white femininity was heightened and entrenched by colonialism. It reflects the dichotomies that legitimated conquest, violent dispossession and exploitation: dichotomies between the ‘respectable’ white bourgeois family and the ‘degeneracy’ of black and brown indigenous communities. Between the ‘pure’, ‘fragile’, ‘innocent’ white woman and the ‘uncontrolled’ sexuality of people of colour. Protecting white women was, and is, a key colonial preoccupation. Fear of revolution is also fear of rape.

This ‘risk’ posed to white women from the oversexualised Other has been the justification for community and state violence, both historically and now. It justified the genocidal subjugation of indigenous communities. It justified the lynching of enslaved and free black men and boys – perhaps most unforgettably, fourteen-year-old Emmett Till. In a 2008 interview, Till’s accuser Carolyn Bryant admitted he had not made sexual advances towards her. Bryant’s ‘white lie’ cost a black boy his life.

‘If the #MeToo revolution has proved anything,’ wrote Barbara Kingsolver in the Guardian in 2018, ‘it’s that women live under threat. Not sometimes, but all the time.’ This imperilled femininity is white. It depends on tropes of racist domination, even while it articulates the gendered harm of sexual violence. It is the white woman weeping in the public square. It is Niobe and Penelope. It is Carolyn Bryant. And white women’s tears can be deadly to people of colour.

Taking back control

The structural power of whiteness creates a sense of victimhood when entitlements and powers are threatened, as seen in backlash and ethno-nationalist forms of white politics. This produces the desire to ‘take back control’ – a slogan which has been at the forefront of the far-right in many countries. Brexit campaigners used it repeatedly and relentlessly. (Some) Americans elected Trump to ‘Make America Great Again’ (a slogan echoed in Spain – and about Spain –by far-right party Vox).

The backlash against feminism often claims that it has ‘gone too far’, a clarion call for men to regain their rightful place in the gender order. In more mainstream circles this is expressed as a concern that men are now the downtrodden sex. At the extremes, Men’s Rights Activists and incels attempt to ‘take back control’ of women – and sex – via violent acts. MRAs online combine rape and death threats with instructions to ‘make [them] a sandwich.’ In the incel mindset, mass murder is an appropriate response to not being able to get a date.

White feminists are well acquainted with the white man’s will to power. We bathe in male tears. However, the white will to power also exists as whiteness intersects with gender inequalities and individual experiences of victimisation. White women – even survivors of sexual violence – possess and express it too. It is possible that sexual violence might intensify it: since sexual assault and rape involve a loss of power and control, regaining this is crucial to successful recovery.

Survivors of sexual violence are advised to ‘take back control’ in a variety of ways, from making decisions about reporting and accessing support, to when and whether to engage in consensual sex afterwards, to going back to work or college. We are sometimes encouraged to make small changes for a sense of restored control, for instance cutting our hair. This is all sensible and necessary. But regaining control, for white women, can also be accomplished through ‘taking down’ powerful men via the ‘outrage economy’ of the media and the carceral state.

Harvey Weinstein. Larry Nassar. Kevin Spacey. Junot Diaz. Richard Dreyfuss. Gerard Depardieu. James Franco. David Copperfield. Sylvester Stallone. The ‘shitty media men.’ This is part of the ‘kill list’ of #MeToo, and its founder Tarana Burke has consistently critiqued its focus on ‘bad men’ like these. ‘No matter how much I keep talking about power and privilege,’ she has said, ‘they keep bringing it back to individuals.’ Burke’s caution about ‘bringing down’ these men is not about shielding them from accountability. Instead, it is rooted in the knowledge that strengthening punitive systems will not generally affect men like these.

When American college student Brock Turner was convicted in 2016 of sexually assaulting an unconscious woman, some feminists protested the lightness of his six-month sentence. One response was a bill in the California State Assembly, to impose a mandatory minimum sentence of three years for sexual assault of an unconscious victim. But ‘here’s the thing with mandatory minimums’, wrote Meg Sri in Feministing, ‘they were designed to prop up the exact same system that cut Turner loose, and put a vast swath of people of color in droves behind bars.’

Then Vice-President Joe Biden was fêted by feminists after an open letter to Turner’s victim sharing his ‘furious anger’ at what she had been through. Biden’s necropolitical rage has made him a white feminist hero before. He was the lead Senate sponsor of the 1994 Crime Bill, which mandated more funding for police and prisons, more ‘three-strikes’ laws, an expansion of the death penalty, and less money to help incarcerated people access education. Feminists supported the bill, because it also contained the Violence Against Women Act.

In 2019, Alyssa Milano defended Biden against sexual misconduct allegations on the grounds of his ‘kind, empathetic leadership’. Biden is actually a hero of what Elizabeth Bernstein calls ‘carceral feminism’, which is undeniably white. And as Kelly Hayes and Mariame Kaba wrote about Aquilina’s sentencing of Nassar, carceral feminism is not transformative justice. Criminal punishment is state violence. Even when handed down to a privileged white person, it is ‘a structurally anti-Black apparatus, firmly rooted in the United States’ ongoing reliance on the financial exploitation and social control of Black people.’

For white feminists, criminal punishment represents protection, not oppression. It is the master’s intervention, the ‘empathy’ of Angry Dad. It is also the indirect demonstration of our own will to power. We ‘take back control’ via the punitive technologies of the state. And as the far-right encroaches upon governments across the world, as fascists weaponise ‘women’s safety’ against marginalised groups such as migrants, sex workers and trans people, mainstream feminism stays focused on state remedy for personal harm. The dominant conversation about sexual violence remains one between white women and white men, about who is more wounded and who is in control. We need a different conversation.

I am not saying that white women do not suffer sexual violence. I have experienced it myself. We are entitled to be angry; we are entitled to cry. But we are not entitled to politicise our pain with no concern for what it might do. We must be alive to white narcissism, white woundedness and the white will to power. We must acknowledge that these dynamics are not restricted to the backlash. It is urgent for white feminists, taking their lead from feminists of colour, to work against political whiteness in ourselves and in the mainstream of the movement.

Feminists fighting sexual violence in the age of Brexit and Trump

This piece is based on a talk delivered as part of the University of Birmingham School of Social Policy seminar series in January 2019 and as the annual lecture of the University of Bristol Gender Research Centre in April 2019. It brings together much of my recent work on feminist activism against sexual violence both within and outside institutions, contextualising this within broader rightward shifts and the intersecting structures of patriarchy, capitalism and colonialism. 

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I want to start with John Mavroudis’ illustration of Dr Christine Blasey Ford, taken from the cover of Time magazine, October 15th 2018. It contains phrases from Ford’s testimony to the hearings on Brett Kavanaugh’s confirmation to the Supreme Court, arranged into an image of her taking the oath. One of the phrases is ‘seared into my memory’, which is how she described her experience, as a teenager, of sexual assault by Justice Kavanaugh. The phrase also illustrates how I felt about the juxtaposition of her testimony and Kavanaugh’s, as the hearings played out in the media.

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This is an image which was circulated widely on social media during and after the hearings, of Kavanaugh during his testimony. It was a long and irate speech, in which he called the process a ‘national disgrace’ and a ‘grotesque and coordinated character assassination’ fuelled by ‘anger about President Trump’ and ‘revenge on behalf of the Clintons’. The faces of the women behind him inspired a significant amount of commentary: although they were his family, friends and supporters, their expressions seemed to materialise what many of us were feeling at the time.

Although Kavanaugh was confirmed, Dr. Ford’s actions inspired global support and prompted comparisons to Professor Anita Hill, whose 1991 testimony during Justice Clarence Thomas’ nomination hearings put the issue of sexual harassment on the agenda. Hill and Blasey Ford’s testimonies also mark early and late stages of the global expansion of neoliberal capitalism, with its production of huge inequalities and insecurities, including ones related to gender. This is the context for my talk, which especially focuses on the international swing to the right produced by economic and social crisis.

This swing to the right involves a number of reassertions: of whiteness, of class privilege, of masculinity, and of binary gender. Women are women and men are men; Brexit means Brexit. Silvia Federici identifies a new ‘war on women’ constituted by rising violence, femicide and attacks on reproductive rights, happening especially in countries being re-colonised through globalisation. In the West, although individual gender identities are increasingly fluid, binary gender and capitalist family values are being re-imposed in economic, social and cultural terms. Through cuts to social welfare systems, attacks on abortion rights, sexual and domestic violence, discourses of ‘natural’ and ‘intensive’ motherhood, and an intensified focus on women’s appearance.

Just as colonialism imposed bourgeois gender as a means of controlling land, production and behaviour, contemporary far right politics blends racism with attacks on feminists and LGBT (especially trans) people. Last year, ‘proud homophobe’ Jair Bolsonaro was elected the 38th President of Brazil. His platform positioned him as a key player in the war on ‘gender ideology’, a term that originated from the Vatican in the 1990s and can mean feminism, LGBT rights or trans people in particular, depending on the context. The same year, Hungary’s proto-fascist government banned gender studies on the grounds that it was an ‘ideology not a science’. A spokesman for Prime Minster Orban said: ‘the government’s standpoint is that people are born either male or female, and we do not consider it acceptable for us to talk about socially constructed genders rather than biological sexes.’ Also last year, Donald Trump declared his intention to ‘legislate transgender out of existence’ through changing the Title IX amendment to the Higher Education Act to define gender as determined by biological sex, and biological sex as immutable and determined by genitalia at birth.

Trump was elected after numerous allegations (and admissions) of sexual misconduct, in a triumph of whiteness over feminist solidarity. Since the election of the ‘predator-in-chief’, there have been a number of major anti-black, Islamophobic, anti-Semitic and homophobic mass shootings in both the US and overseas. There is evidence that men who perpetrate mass shootings are often domestic abusers as well, and recent mass killings in the US and Canada have also been perpetrated by ‘incels’ (involuntary celibates), who blame women for their lack of access to sex. Incels are a key faction in the online ‘manosphere’, a technological primordial soup for the gestation of far-right activists.


Contemporary right-wing masculinities are united by a blend of fragility and entitlement, which is central to whiteness and which could also be observed in the demeanour of Justice Kavanaugh at his confirmation hearings. However, support for Dr. Ford was bolstered by a growing resistance: the resurgent right has been met by a younger, more diverse and more radical international left. The movement around Jeremy Corbyn, which produced a hung parliament in the 2017 UK General Election, is one example. The US midterms in 2018 also saw record wins for progressive candidates and especially for women of colour. These included Sharice Davids and Deb Haaland, the first Native American women elected to Congress, Rashida Tlaib and Ilhan Omar, the first Muslim congresswomen, and Alexandria Ocasio-Cortez.

With Trump’s sexual transgressions still prominent in the public imagination, the victories of these women were partly put down to the success of #MeToo. Originally the title of a movement created by black feminist Tarana Burke in 2006, the #MeToo hashtag went viral after a tweet by white actress Alyssa Milano, eleven years later. It trended in at least 85 countries, with 1.7 million tweets and 12 million Facebook posts in the first six weeks. It was described as a ‘flood’ of stories of sexual assault by CNN and CBC, an ‘avalanche’ in the Guardian and a ‘tsunami’ on CNBC and in the US National Post.

Although it has been biggest on Anglo-American platforms, #MeToo has reverberated worldwide, through disclosures on online and social media, and actions which link with established feminist organisations and campaigns as well as marshalling the newly politicised. Srila Roy has documented how the movement reached India in 2018, a country which had not seen such a surge of mainstream concern with sexual violence since the gang-rape and murder of Jyoti Singh Pandey in 2012. Although it remains largely mainstream, #MeToo has managed to connect with both liberal and more intersectional feminist forms.

Late last year, Google created #MeToo Rising, an interactive online repository of information on activity across the world. This includes the Time’s Up organisation in the US, which aims to create safety and equity in the workplace through providing legal assistance for sexual harassment claims. There are also various grassroots and formal initiatives, and direct-action movements, in other countries around the world. Older sexual violence projects have also been rejuvenated by #MeToo: in universities, in political institutions, and in radical communities.

As a movement and ongoing moment, #MeToo reshaped – and continues to reshape – narratives around sexual violence. The variety of disclosures made under the hashtag allowed for discussion of what Liz Kelly terms a continuum of acts which, although defined as more and less ‘serious’, all have similar functions: to reflect and produce male power. #MeToo correlated sexual violence with the ‘everyman’ rather than the ‘bad man’, through a volume of personal stories which showed how frequently it is perpetrated and normalised. At its best, this put all men on the spot, asking them to reflect on their own behaviour, and their role in that of others.

#MeToo also galvanised a high-profile (and ongoing) backlash. This brought together conservative commentators with libertarian feminists, many of whom argued that the movement was perpetuating ‘victim culture’. Such right-wing ‘antivictimism’ often emerges in response to public feminisms around sexual violence. It appropriates narratives of women’s empowerment, setting them within neoliberal frameworks which emphasise individual responsibility and choice. In some formulations, women feel victimised because feminism has brainwashed them into renaming their unsatisfactory sexual experiences as abuse. Or in others, they crave attention: in the Spectator, Joanna Williams interpreted #MeToo as ‘an unedifying clamour to be included in celebrity suffering.’

Despite its antivictimism, the ‘wounded attachments’ of this backlash are strong. They are also fortified at a time when the ‘wounds’ of the right have come to dominate Anglo-American public discourse, exemplified by Brexit and the election of Trump. The backlash against #MeToo was focused on ‘harm’ to both the accused and to critics of the movement, seen as subject to its ‘vengeful’ currents. Katie Roiphe, who was also a key figure in the 1990s backlash against sexual violence activism on US campuses, penned an article in Harper’s Magazine entitled ‘The Other Whisper Network’. In it she claimed that the movement’s detractors were so afraid of recriminations they were effectively silenced. ‘Can you see why some of us are whispering?’ she asked. ‘It is the sense of viciousness lying in wait, of violent hate just waiting to be unfurled, that leads people to keep their opinions to themselves, or to share them only with close friends.’

This remark performs a classic manoeuvre, locating violence in the fight against, rather than the fact of, oppression. As Sara Ahmed says: ‘It is because we expose violence that we are heard as violent, as if the violence of which we speak originates in us.’ These manoeuvres are also positioned within what Anderson and Samudzi identify as a false equivalence between domination and resistance: one side’s dehumanisation of another becomes a difference articulated in a ‘free marketplace’ of ideas. ‘Identity politics’ is often the bogeyman in this reformulation of bigotry as ‘freedom of speech’. It acts as a cipher for the resentments of those who feel equality has gotten out of hand, often within rhetoric that bemoans a parochial obsession with difference that threatens Enlightenment ideals. The university is a key adversary, along with the ‘snowflake’ students it contains.

In the ‘Free Speech University Rankings’ published yearly by Spiked, policies against sexual harassment, among other things, can get a university a negative rating. However, in general this commitment to ‘free speech’ extends only to figures on the hard- or far-right: movements such as #MeToo and Black Lives Matter are presented as elite-driven exercises in censorship. Spiked’s concern with ‘free speech’ on campuses is shared by members of the growing ‘intellectual dark web’ of self-styled mavericks and truth-tellers. This group is unified by its opposition to ‘identity politics’ and conviction that discussion of ‘politically incorrect’ ideas such as race and gender differences is now taboo. One of its leading members is ‘professor against political correctness’ Jordan Peterson, who describes himself as a ‘classical liberal’ but is celebrated by the alt-right for his tirades against feminism and ‘cultural Marxism’. The New York Times has called him the most influential public intellectual in the Western World. Other members of the intellectual dark web recently orchestrated a hoax against gender and critical race studies journals, aimed to expose these disciplines as ideologically-motivated ‘grievance studies’ and purge universities of such scholarship. Again, although these scholars self-identified as ‘left-leaning’, their critiques were mired in far-right tropes.


All this adds up to a complex picture of global rightward shift, resistance, and backlash which is often encoded within calls for ‘common sense’ and ‘balanced debate’. Within this frame, narratives about gendered and intersecting inequalities, and movements designed to tackle them, are being recrafted and rejuvenated. Also, and even as neoliberalism and neo-imperialism produce rising rates of women’s victimisation worldwide, the idea of women’s safety is being weaponised by the right. As the Brexit referendum loomed, Nigel Farage claimed that women could be at risk of sex attacks from gangs of migrant men if Britain remained in the European Union. Trump made similar comments about Mexican men during his campaign for the US presidency. In 2018, UKIP appointed anti-Islam ideologue Tommy Robinson as its advisor on ‘grooming gangs.’ ‘Women’s safety’ has also been key to debates about bathroom bills in the US and the proposed reform of the Gender Recognition Act in the UK, in which conservatives have situated trans people (and especially trans women) as potential rapists.

These politics are not new: the white and privileged rape victim has been a key motif in ‘law and order’ and anti-immigration agendas in the West, as well as the violent suppression of indigenous and enslaved populations in colonised and colonial countries. The figure of the victimised Other (usually a Muslim woman), juxtaposed with ‘Western values’, has underpinned a variety of neo-colonial incursions including the War on Terror. Liberal feminism and liberal imperialism have always been closely intertwined, and Elizabeth Bernstein has coined the term ‘carceral feminism’ to describe the relationship some feminist projects have with the punitive state.

But there is currently a convergence, of heightened resistance against sexual violence with an intensified deployment of the survivor in the oppressive imaginary. This raises questions which are persistent and urgent, if not new, about the role of contemporary activism against sexual violence. In other words, it is more important than ever to consider what Angela Davis calls the ‘intersectionality of struggles’. How might our activism against sexual violence help or hinder other social justice projects? How can we be more conscious and critical of who our friends (and our enemies) are? Do the ends always justify the means? These questions are also pressing because #MeToo and similar campaigns can provide – and have provided – clickbait for what I call the ‘outrage economy’ of the corporate media.

The growth of ‘outrage media’ is linked to structural changes in the media landscape: the migration of content online and the reliance of mainstream media on social platforms for the currencies of clicks, likes and shares. And although ‘outrage media’ has traditionally been located on the right, its characteristics of hyperbole, sensationalisation and vilification can be seen in left-wing outlets as well. Media shifts rightward have accompanied political ones: in both the US and the UK, far-right narratives are beginning to dominate conservative outlets, and take up increasing amounts of space in liberal ones under the pretext of ‘balance’. This heightens concerns about how social justice ends can successfully be pursued via platforms on which truth comes second to revenue generation.

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I want to return now to #MeToo. The picture I am using is by Tara O’Brien and has a black woman in the centre, perhaps representing Tarana Burke’s pivotal role. But in general terms this is an aspiration for, rather than a representation of, the mainstream movement against sexual violence. The most powerful and visible activists in the movement are, and always have been, white and privileged women. Women like me, who have benefited from employment opportunities offered by neoliberalism, and who have ready access to corporate media platforms.

#MeToo is the latest in a series of high-profile sexual violence campaigns in which privileged white women have made use of, but failed to fully recognise, the groundbreaking work of black women and other women of colour. For instance, the foundational labour of anti-rape activists such as Ida B Wells and Rosa Parks in the US Civil Rights movement was built on, usually without acknowledgement, by second-wave white feminists. Activism by working-class women, many of them women of colour, has been crucial in naming and fighting sexual harassment in the workplace, but white academics and lawyers have tended to get the credit. And the activism and theory of feminists and womanists from the global South is rarely referenced at all.

As white and privileged women in the West now say ‘time’s up’ to men via corporate media platforms, and as these men appear on the same media platforms defending themselves, the politics of sexual violence can appear to be a conversation between white people about who is in control. This is what I call ‘political whiteness’: a framework shared by mainstream sexual violence feminisms and the backlashes against them. It might seem insensitive to associate #MeToo with the backlash. However, acknowledging the role of race means exploring the similarities between both progressive and reactionary politics dominated by white people. And whiteness is fractured, but not erased, by the existence of gender inequality.

Political whiteness has the following linked characteristics: narcissism; a will to power; and a constant alertness to threat. Critical theorists of whiteness, such as Robin DiAngelo and others, have long highlighted the role of narcissism in white identity. Politically, this is evident in the belief that white experience can stand for that of all others, and the desire to centre ourselves, even in anti-racist struggles. In relation to #MeToo, many black feminists and other feminists of colour pointed out the disproportionate focus on white victims, and the neglect of others such as the black girls abused by R Kelly or the Rohingya women raped in Myanmar. Narcissism links political whiteness with Gurminder Bhambra’s concept of ‘methodological whiteness’, developed in response to academic analysis of and commentary on Brexit and Trump. Bhambra highlights how even in ‘progressive’ scholarship, there is a persistent focus on (and universalisation of) the experiences and concerns of white people, and a lack of acknowledgement of structures and histories of race and racism in shaping the world.

The centring of the self in whiteness produces a political focus on individual injuries and threats rather than structural power, which is compatible with neoliberal values. In different ways, we can observe this in both #MeToo and the backlash, both of which are primarily framed around the experiences and injuries (or perceived injuries, in the case of backlash politics) of white individuals. For the backlash, this is to do with entitlements being threatened – whiteness is a position of structural power which is concerned with maintaining that power. However, this has implications for feminist movements as well – and if we understand the ‘raped’ subjectivity as shaped by a loss of power and control, regaining this becomes even more crucial.

Tarana Burke, who founded #MeToo, has consistently critiqued its current iteration for being too focused on ‘bringing down’ powerful men. Top of this list is Harvey Weinstein, whose arrest was reported by Time as a ‘pivotal turning point’ for the movement. A possible close second is Larry Nassar, the coach convicted of sexually abusing ten young gymnasts and accused by almost 250 more. Nassar was told by Judge Rosemarie Aquilina at sentencing that if authorised, she would have ‘allow[ed] some or many people to do to him what he did to others’. Aquilina was widely celebrated as a feminist hero and icon of #MeToo.

Burke’s caution about ‘bringing down’ men like Nassar and Weinstein is not about shielding them from accountability. Instead, it is rooted in the knowledge that strengthening punitive technologies will not generally affect men like these. As black feminists have long argued, sexual violence interventions are inherently racialised: positioning the state as protective rather than oppressive is a function of whiteness and other forms of privilege. Furthermore, in colonial and neo-colonial contexts, the figure of the ‘imperilled white woman’ has been the justification for a variety of forms of state and community violence against people of colour. Nevertheless, mainstream feminist politics continues to be largely focused on state remedy, even as the far right encroaches on or takes hold of parliaments in the West and elsewhere.

Mainstream campaigns against sexual violence have also tended to use naming and shaming in the outrage media as a precursor to demanding criminal punishment or institutional discipline. #MeToo is a key example, but campaigns in universities and other institutions have also used this mode of ‘speaking out’, often when ‘speaking in’ has failed. Some of these interventions have had very positive effects. Sara Ahmed’s resignation from Goldsmiths, and Allison Smith’s public disclosure of her abuse at the hands of Sussex lecturer Lee Salter, both pushed universities to act. But things do not always go well: some of you may have witnessed how Sophia Cooke from Cambridge was monstered in the press, following a university inquiry which found her ex-boyfriend not guilty of assaulting her.

Naming and shaming can also support what I call ‘institutional airbrushing’. This is a process by which neoliberal institutions obsessed with how things look rather than how they are merely remove the ‘blemish’ which has been exposed, while the systemic malaise remains. Institutional airbrushing takes two main forms: concealment and erasure. In the first, issues are minimised, denied or hidden and survivors encouraged to settle matters quietly. In the second, when concealment is not possible, the perpetrator themselves is ‘airbrushed’ from the institution, and it is made to appear as though they were never there. Institutional airbrushing also produces what has been called the ‘pass the harasser’ problem, in which those who ‘move on’ after sexual misconduct allegations simply continue this behaviour in their next job.

Naming and shaming is often a last resort: questioning it strategically is not a judgment of survivors who have no other option. Indeed, in such situations it can be seen as a form of direct action, as argued by Anna Bull and Tiffany Page. But it does not always produce the solutions we might hope for. It has been suggested that the answer is more such speech: for instance, repeatedly naming and shaming individuals in public, or using private ‘whisper networks’ to prevent perpetrators getting another post. But as we use this strategy to purge academia and other high-status professions of abusive men, we may impose them on women working with fewer protections in other employment sectors. In other words, this may be institutional nimbyism rather than the collective action we aim for.


Political whiteness in progressive movements, then, can produce less-than-progressive outcomes. At the thicker end of this wedge, feminist activism against sexual violence can become aligned with reactionary agendas. This has especially been the case when it comes to sex work and transgender equality, two issues on which there have been fierce and painful feminist debates. Within these, sexual violence experiences are invested as capital in what Sara Ahmed calls the ‘affective economies’ of neoliberal culture, and especially the ‘outrage economy’ of the media.

Feminists opposed to the sex industry often speak on behalf of women who have left it. Their traumatic experiences are shared within arguments for various forms of criminalisation: most commonly the criminalisation of clients which, because it does not directly target sex workers, is supported on feminist grounds. ‘Survivor stories’ of exited sex workers are harrowing accounts of victimisation and suffering: they include physical and sexual violence and abuse, problematic substance use, unwanted pregnancy and sexually transmitted infections. They speak to the incredible difficulties sex workers face in a gendered and stigmatised industry.

However, sex workers’ rights activists, often women and people of other genders currently working in the industry, have pointed out that the Nordic Model of client criminalisation actually makes them more vulnerable to abuses like these. When clients are criminalised, sex workers are less able to screen them. Police surveillance increases, meaning sex workers are more likely to be arrested for crimes such as ‘brothel-keeping’ (which in the UK is defined as two or more sex workers working together for safety). For migrant sex workers, the threat of arrest carries the greater one of deportation. Furthermore, while the aim of client criminalisation is to ‘end demand’ for sexual services, as Juno Mac has pointed out, clients are also the supply. As the supply of clients decreases, this reduces sex workers’ power to work on their own terms, and even to work at all. At a time when many women are turning to sex work to make ends meet, reducing their ability to do this can be seen as class violence.

This argument against the Nordic Model is a deeply feminist one. However, sex workers who make it are often dismissed as ‘happy hookers’ who do not care about other women’s safety. A focus on patriarchy without an accompanying analysis of racial capitalism here means that the only class recognised is women: and women as a class are endangered by the sex worker because she sells sex to men and thereby legitimates male entitlement. The economic and racialised processes which push people into the sex industry disappear. The sex worker does not figure as a sister but as a handmaiden of the patriarchy. In situating sex workers’ interests and ‘women’s interests’ as fundamentally opposed, this manoeuvre does not just position sex workers as ‘bad’ women, it excludes them from womanhood.

There is a painful irony here. While both anti-prostitution feminists and sex workers’ rights activists are concerned with women’s safety, it seems that only some count as women who deserve to be kept safe. The use of ‘survivor stories’ in such debates can function as a claim to ownership of the rape experience, dismissing sex workers’ demands for full decriminalisation as coming from peculiarly positive experiences of the industry. This is the equation: survivor = anti-prostitution feminist. As Juno Mac and Molly Smith argue, the category of survivors who advocate for decriminalising the sex industry, which includes many people currently working in it, cannot – or should not – exist. Another painful irony: this iteration of feminist politics against sexual violence erases the sexual violence experiences of a particularly marginalised group of women.

In 2018, US women’s groups backed the Stop Enabling Sex Traffickers Act (SESTA) and the Allow States and Victims to Fight Online Sex Trafficking Act (FOSTA). These acts ban online advertising of sexual services, but in the process prevent sex workers from using the Internet to organise, share safety information, and screen potential clients. Advocates of FOSTA and SESTA, including feminist hero Senator Kamala Harris, gave support over the objections of many trafficking survivors and their allies, who argued that by stopping sex workers working on their own terms, the Acts would increase vulnerability to exploitation. The Acts were also widely supported by the political and religious right.

White, Western feminists have certainly found allies on the right before: for instance, in anti-pornography campaigns in the 1980s. But the current rightward shift has provided opportunities for feminism to become more closely-knit with right-wing agendas, and this is perhaps even more the case when it comes to debates about transgender equality. ‘Gender-critical’ feminists, who argue that trans rights can and do conflict with ‘women’s rights’, are regularly featured in the ‘right-wing outrage machine’ of publications such as Spiked, The Spectator and Quilette. The UK groups Fair Play for Women and A Woman’s Place have been supported by Monmouth MP David Davies, who has consistently voted for stronger restrictions on abortion, for repealing the Human Rights Act, and against gay marriage, and was recently photographed with members of the English Defence League in the March to Leave the European Union. In 2017, the Women’s Liberation Front in the US formed a coalition with evangelical and anti-abortion group Focus on the Family, to oppose trans-inclusive bathroom bills and attempts to interpret Title IX of the Education Act to protect trans rights. Earlier this year, the Women’s Liberation Front also hosted a group of UK-based ‘gender critical’ feminists, for a joint meeting with the right-wing Heritage Foundation.

This meeting was a step too far for some: a number of prominent ‘gender-critical’ feminists quickly distanced themselves from alliances with the right. However, ideological continuities remain. There is a strong mutual attachment to the binary of ‘biological sex’. Within this binary, the male body is inherently violent (although for conservatives this causes concern only when that body is attributed to a trans woman), and the female one inherently threatened. Sexual violence experiences are central: usually those of cisgender women who have been raped by cisgender men, or sometimes those of lesbians who report feeling pressured into sex with trans women. Sometimes all trans women become predators or threats; sometimes the stated worry is that cisgender men will pose as trans women in order to perpetrate abuse. Sometimes there is speculation about what point in the process of transition a trans woman becomes ‘safe’ (usually post-genital surgery). There is a preoccupation with the penis, an organ which is always already coded as violence. The trans woman is automatically assigned with this organ (and thereby with violence) through the obsession with whether she has one or not.

The goals of these two groups are not the same. While conservatives seek to re-impose binary gender, ‘gender critical’ feminism seeks to abolish it and distinguishes it from sex. However, sex-essentialist discussions tend to arrive at gender-essentialism in the end, since in the absence of any mechanism to check chromosomes, or jurisdiction to search people’s underwear, gender becomes a proxy for sex. A number of cisgender women have recently reported being challenged in women’s toilets over whether they had a right to be there, because they did not look feminine enough.

‘Gender critical’ feminists and conservatives also share an antipathy towards postmodernism, positioning it as denying material existence because of its deconstruction of the body and critical engagement with biological sex. In 2017, the Brazilian religious right burned Judith Butler in effigy outside a conference she had helped to organise. Postmodernism is a target shared by the alt-right, who skewer it as irrational and relativist even as they articulate their own ‘post-truth’ politics. It is also reviled by members of the ‘intellectual dark web’, including Jordan Peterson, who rose to fame after his passionate opposition to a bill in Canada which proposed outlawing discrimination based on gender identity and expression. The bill curtailed free speech, Peterson argued, by requiring the use of gender-affirming pronouns. Appeals to ‘free speech’ have also been echoed by ‘gender critical’ feminists, some of whom reserve the right to misgender trans people in protest. If ‘transgenderism’ is seen as ideology or a delusion, it becomes courageous to refuse to enable it.

Like anti-prostitution politics, anti-trans politics can produce a distinction between ‘good’ and ‘bad’ subjects: ‘good’ trans women who have undergone genital surgery and/or are cis-passing, and ‘bad’ ones who are not. And while sex workers are implicitly ‘not women’, trans women are explicitly, resoundingly not so. Sometimes, there is a distinction between trans people and ‘transactivists’: the latter are positioned by ‘gender critical’ feminists as part of the resurgent right, despite its shared antipathy towards trans people. The terms ‘trans rights activists’ and TRAs are sometimes used, evoking what Sara Ahmed might call the ‘sticky associations’ with the men’s rights movement.

These feminist positions on trans issues and sex work reflect the intersection of supremacy and victimhood that characterises political whiteness, which produces demands for power and control. This includes control of resources, especially in response to the right-wing fable that there is not enough to go around. Furthermore, the use of the sexual violence experience as capital means that the ‘good’ rape victim is deployed to withhold support from trans women and sex workers. These ‘bad’ victims are at disproportionate risk of sexual violence, but are pitted against cisgender, non sex-working women in a politics which does not challenge the neoliberal capitalist order that has created massive inequalities of distribution. The result can appear like a hoarding of resources and shutting of doors, echoing Brexit and the border walls of the right. It also potentially creates risks of violence: for instance, for sex workers dealing with the effects of criminalisation and trans women made to use men’s bathrooms. Melissa Gira Grant has called this feminism’s own ‘war on women’, where some women are subjected to poverty, violence and prison in the name of defending other women’s rights.


The feminist ‘war on women’ intersects with the bigger gender war being waged by the right. This might start with the most marginalised but is unlikely to stop there: and ‘gender critical’ feminists may find that some of their friends become enemies in the end. There have been counter-incursions, even in the mainstream: for instance, a recent Guardian US editorial critiqued ‘gender critical’ journalists in the UK. But political whiteness provides continuity between a variety of feminist narratives, and as with other issues such as immigration, the ‘legitimate concerns’ of liberal feminists can provide a stalking horse for reactionary views. What may start as critiques of gender or the sex industry meld with or justify growing (or increasingly explicit) anti-trans and anti-sex worker sentiment in the media and society.

Politically white feminisms, whether liberal or more reactionary, also tend to share a failure to interrogate the system of racial capitalism that is central to violent and sexually violent abuses of power. The idea of gender violence as an outcome of socio-economic processes disappears in favour of perspectives which root violence either in aberrant or in all male bodies. The violence of globalising capital – exemplified in the rape rampant in Export Processing Zones, femicide in Latin America, the contemporary witch-hunts of women who have been dispossessed of land in Sub-Saharan Africa, and the abuse occurring at the end of global care chains – cannot be understood here. #MeToo and the mainstream feminist movement, which makes use of the capitalist media, state and institution to redress individual injuries, is not well placed to tackle the intersections of patriarchy, capitalism, colonialism and other frameworks of domination which produce sexual violence. The anti-prostitution and ‘gender-critical’ arms of this movement can become complicit with the far-right politics also produced by this intersectionality of systems.

To resist an intersectionality of systems, we need an intersectionality of struggles. This might mean connecting #MeToo with prison abolition, activism against workplace sexual misconduct with sex workers’ rights, struggles against reproductive coercion with transgender equality, campaigns against trafficking with campaigns against borders. Such connections would be set within an analysis of the violence of racial capital, its individualisation of social reproduction, and what Tithi Bhattacharya calls the ‘braided chains of discipline’ which manage both labour and sexuality. We would need to ask tough questions about who our political friends are, and whether they might in fact not be our friends at all. We would need to refuse settlements offered by right-wing governments, if these ‘wins’ are losses for others. I am imagining increased funding for women’s refuges in return for trans-exclusionary admissions policies. Or equality legislation which relies on essentialist definitions of sex and gender. Or attempts to eradicate the sex industry which make sex workers more unsafe. The first of these is still a remote possibility; the second is becoming increasingly likely; the third is already in place.

The current political moment combines huge growth of the globally networked movement of survivors, with an expansion of carceral states that is part of a rightward shift and which also incorporates more open oppression of marginalised groups. This gives urgency to demands for a transformation in how we address harm. Demands made by activists such as Mariame Kaba, a key figure among the black feminists who are working, and have long worked, in the spaces between prison abolition and eradicating sexual violence. For these feminists, abolishing the prison-industrial complex means creating alternative forms of accountability and governance which are not based on domination, hierarchy, and control.

This is a profound challenge to sexual violence politics rooted in whiteness, which may be why most sexual violence activists in the mainstream have chosen to not even hear it. And as Kaba acknowledges, following Angela Davis, this is a big job: abolishing prisons requires a complete restructuring of society. Getting rid of sexual violence may be even bigger. It certainly will not happen in our lifetimes, but that does not mean our politics cannot look towards the society we want – more horizontal, more inclusive, and more connected – outside the power/control model of political whiteness. This is what Kaba calls a ‘jailbreak of the imagination’, and it is urgently needed. We cannot continue to support the status quo or, even worse, to dwell on our own border anxieties, while the Western ‘we’ is violently reconstituted in a futile drive to resurrect Empire.

As Audre Lorde once said: there is no such thing as a single-issue struggle because we do not live single-issue lives’. I want to end with a question posed in her 1981 keynote speech at the National Women’s Studies Association conference: ‘What woman here is so enamoured of her own oppression that she cannot see her heelprint on another woman’s face?’ Almost forty years later and as we continue to struggle over what liberation means, this question is still crucial to the feminist fight against sexual violence.

Tanya Serisier’s ‘Speaking Out’

These are some remarks written for the launch of Tanya Serisier’s brilliant new book ‘Speaking Out: Feminism, Rape, and Narrative Politics’ (Palgrave 2018). You can buy the book, or order it for your library, here.  

Tanya Serisier’s book Speaking Out is the first critical study of white feminist politics around rape which explicitly situates this politics as a narrative form. It analyses narratives from the second wave and after as part of a testimonial genre which has specific plots, characters and themes. The book resists equating ’speaking out’ with justice, freedom or feminism, noting that although there has been a flowering of this type of activism this has not necessarily led to social change. Instead, Serisier constructs a more nuanced interpretation in which women’s narratives are both powerful and necessary, and located within competing discourses and agendas. One of those discourses is feminism, and the book is excellent in its understanding of different forms of feminism as devices for the production, dissemination and regulation of women’s narratives. White feminist narrative politics is also positioned within the broader discourses and structures of liberalism, racial capitalism and criminal justice, and the neoliberal morality of personal transformation.

Speaking Out makes a key intervention into the current political and cultural context. This context incorporates an increased volume of sexual violence narratives, circulating through the networked web of survivors created by #MeToo and allied movements, and given authority within the ‘intimate publics’ of social media and ‘testimonial cultures’ of neoliberalism. It also involves a strengthening of the backlash, bolstered by political shifts to the right and the neoliberal politics of personal responsibility, which often attempts to cast doubt on the veracity of sexual violence narratives or dismiss women’s experiences of trauma. In a context in which we can either attack victims or defend them, repudiate the wound or embrace it, it can be tempting to sanctify our stories. This is both understandable and dangerous.

Sexual violence interventions are inherently racialised: fear of rape is simultaneously fear of male power and the uprising of colonised or enslaved peoples, or the ‘invasion’ of immigrant communities. White women’s rape narratives (as well as their rescue fantasies about ‘victimised Others’ such as Muslim women) have been used in the service of colonial oppressions, neo-imperialist interventions, and carceral state violence. Currently, the right are renewing the use of ‘women’s safety’ to justify the violence of borders and the police, and to strip rights and safety from social Others such as trans women and sex workers. As politics moves further to the right it is imperative that feminists engage critically with their narratives and activism around sexual violence, especially since some strands of white feminism (which have their own will to power) are actively and increasingly allied with reactionary agendas.

Critiquing sexual violence feminisms is difficult: I constantly struggle to blend my instinct – and commitment – to believe all survivors with my knowledge that sexual violence narratives are not politically neutral. The affective intensity of survivor stories can also act to insulate the surrounding politics from critique, playing experience as the trump card. However, emotion is not the ‘pure’ counterpart of politics: our emotional repertoires are both discursively and structurally shaped and interpreted. Serisier’s book helps us to explore how racialised tropes around victimisation and predation, criminal justice grammars, fables of community and nation and geopolitical archetypes are among the influences on our interior lives as well as on how our sexual violence stories are heard.

The notion of genre in Serisier’s book is incredibly useful, helping readers to understand how sexual violence narratives are both produced and received according to particular conventions and rules, and how they can be caught up in other stories such as those around nation, security, austerity and risk. This creates opportunities for political weaponisation, which survivors can resist or be passively or actively complicit in. Serisier opens up a constructive space for us to explore these dynamics, adopting a critical approach to ideas of authenticity and truth and engaging seriously with claims and counter-claims, without undermining how deeply experiences are felt or withholding belief. This is one of the most incisive, but also one of the kindest, books on sexual violence I have read, and Tanya Serisier is one of the most important young feminists writing about sexual violence today. Speaking Out deserves to be read widely, by all who are interested in this topic.

On Outrage

I have been thinking a lot about outrage. Recently, I have been outraged a lot. Outrageous things have been happening. Outrage is an important feature of contemporary politics, within a proliferation of news and social media which has both democratised debate and given us the ability to hold powerful institutions and individuals to account. It is one of a number of emotions which enter the political, arguably more now than before.

OUT-RAGE. It gets our rage out. Out into the public sphere; out of our systems. Outrage is cathartic. It has a righteousness which is a function of its ‘outness’ – it takes up space, demands attention to the issue at hand. We have recently been outraged about cases involving a number of individuals: Thomas Pogge, Lee Salter, Brock Turner, James Deen. In its productive capacities outrage is similar to anger, which Audre Lorde theorises as ‘a powerful source of energy serving progress and change’. Like anger, outrage can be channelled politically: sometimes we may like its direction, sometimes we may not. Outrage at the proliferation of misogynistic abuse on social media has recently been used by female Labour MPs to try to discredit Jeremy Corbyn. OutRage! is the name of the direct action group which has been much-critiqued for its righteousness in pushing neo-colonial agendas around LGBT rights in African countries.

Outrage is cathartic – it puts us in touch with our feelings, and allows them to be released. It is also connective: a crucial way of showing survivors our support. When we do outrage, we say I am with you. In a world in which survivors are suspected and disbelieved, outrage is necessary. After your sense of self has been destroyed by violence, the outrage of others stops you thinking you deserved what you got. It is an important preventive of the ‘second rape’ which often occurs within communities, institutions and carceral systems, in which the victim is put on trial. If outrage is withheld (as in so many cases where perpetrators go unchallenged), you are left alone with your guilt and shame.

Outrage connects us with survivors and can also connect us with each other – just as anger, if heard without defensiveness, can help build coalitions across difference. But unlike the thrashing out of differences, the connectivity of outrage relies on a homogeneous emotional response: it can bring movements together rapidly, as a chorus is formed. In our outrage, we all have the same focus and narrative: a performativity can develop that requires you to get your rage ‘out’ in order to fit in. This can sometimes create the impression that if you are not performing outrage, you are doing something wrong.

You get your rage ‘out’. And then? Because outrage is cathartic, it is possible to release it and move on. Outrage can appear momentary – especially in the fast-moving world of social media, it often settles on the next case while the previous one is unresolved. This differentiates outrage from anger, which Lorde sees as a potential catalyst for conversation. Outrage is a statement: we are outraged about something; we are outraged about something else. If the catharsis of outrage is enough for us, it can become an end in itself.

There are similarities between outrage and hatred. Ahmed writes that hatred is always of something or somebody. For Ahmed hate often focuses on the generalised Other: in contrast, outrage tends to coalesce around a specific individual, and sometimes the institution or group which has failed to deal with them. This failure is also largely seen in terms of ‘outness’: while we get our rage out, we also want its subject out – of our organisations, of our communities. It is much easier to mobilise outrage around removing an individual than to focus on changing the structural and systemic context which has allowed them, and probably others like them, to thrive. Hate becomes a death wish for the hated; outrage demands its subject begone.

Where does the subject of outrage go? There is often an appeal to carceral systems to take them away. Outrage regularly uses what Lorde would call the ‘master’s tools’ – the state and the corporate media – to inflict a social death on its subject and demand that they disappear. In an individualistic, punitive context with very few avenues for rehabilitation, there often seems no other option. And of course, there is a difference between a social death visited on the powerful and the hatred which can bring actual death to the powerless. However, emboldening the master’s tools with the former is not unrelated to their role in the latter. Outrage at Stanford student Brock Turner’s rape conviction involved demands for a much harsher prison sentence, but if we fortify the carceral state this will not primarily affect men like Brock Turner. Outrage at abuses within the sex industry produces client criminalisation policies which feed stigma and violence against sex workers, and make abuse more likely to occur in a variety of tangible ways.

I have worked for ten years now in a field in which there are periodic swells of outrage. Sexual harassment and violence in higher education institutions is absolutely outrageous. When outrage swells, I feel vindicated and supported – when it ebbs, I worry about what happens next. One of my key concerns in these ‘between’ times is the unchecked power of the neoliberal university over its students and staff, and of the neoliberal state over us all. I understand why outrage produces demands for punishment: in this system it is the only justice survivors get, and ostracism and incarceration of perpetrators seem the only routes to protection. Furthermore, outrage does not welcome complexity, and although I do not want to bolster punitive and carceral processes, in a similarly unproductive way my outrage has led me to imagine tearing everything down.

My fantasies of demolition bring me back to Lorde: she writes that anger alone cannot create the future, it can only demolish the past. Due to the qualities I have described, perhaps this is even more true of outrage. Tearing down is not helpful unless I am prepared to build something better. Of course, I am not suggesting that we ‘work within’ the system rather than raging against it: it is much more difficult than this, and requires a great deal more thought. I am also aware that Lorde writes about women connecting across their differences – she does not advise entering into relationships with the kyriarchical state. Indeed, she warns against white women in particular being seduced into joining this oppressor under the pretence of sharing power.

With this in mind, I am certainly not aspiring to a politics constituted by compromises within, or with, dysfunctional institutions: particularly since it is always the most compromised who end up compromising the most. But I do want outrage to be more than catharsis. As it ebbs away I want more of us, especially those with social and institutional privilege, to stay behind to do the work of thinking, and enacting, alternatives. This need not take place within institutions: when issues are particularly outrageous, sometimes we can work more productively outside them. But the work must happen nonetheless – survivors need and deserve that too.

Whose Personal is More Political?

The text below is from a guest blog I wrote for the journal Feminist Theory, to launch my article 'Whose Personal is More Political? Experience in Contemporary Feminist Politics', forthcoming in volume 17(3). At present the full text of the article is available from the journal free and can be accessed here. If for any reason you are unable to download this version, the open access version can be downloaded here.

Whose personal is more political? This question has been bothering me for a while. Feminism has been a politics of the personal since its inception, from the testimonial activism of black women in the US civil rights movement to the ‘personal is political’ slogan which underpinned Women’s Liberation, to contemporary intersectional feminist blogs and social media actions such as #sayhername, which exposes police brutality against women of colour. But what happens to this testimonial politics in a neoliberal context which commodifies experience and emotion? This concern underpins my paper. I build on work by Scott and Alcott on the epistemology and politics of experience, and by Ahmed, Pedwell and others on how emotions and affect enter the political.

In my own feminist activism, I am uneasy about what I see as competitive deployments of experience in the service of political agendas. I have been particularly struck by how ‘survivorship’ often acts as the trump card in adversarial debates. The politicisation of women’s victimisation has a long history, and others have documented the role of rape allegations in racialised oppression from slavery to contemporary criminal justice, and the use of indigenous and Othered women as a rhetorical justification for colonial and neo-colonial projects. Feminisms have been caught up in, and sometimes actively complicit with, these dynamics: together with neoliberal trends towards the commodification of the personal, this may frame the ways in which experience has also become capital within the feminist movement.

The question ‘whose personal is more political?’ invites fresh engagement with perennial issues of epistemic and political privilege. I argue that privileged feminists, speaking for others and/or for themselves, use experience to generate emotion and defeat critics who are often from more marginalised social positions. The sex industry ‘survivor’ is used to silence those still working in the industry, who argue for labour rights in order to protect them from violence and abuse. Cisgender women’s experiences of rape and assault are used to conceal the victimisation of trans women and assign them with ‘male violence’ through transphobic rhetoric. Selective empathies operate in which experience is only respected if it has political use value. ‘Speaking for others’ becomes even more problematic when it is wielded against another Other with whom one disagrees, who also happens to be speaking for themselves.

I am not, however, arguing for a renunciation of the politics of experience: instead, I argue that we need to situate experiences structurally, and critically appraise the uses to which they are put. When personal stories become capital in political debates, they must be understood in relation to dynamics of privilege and marginality: in other words, we need to ask whose personal is more political, and why.

The university campus as ‘Hunting Ground’

The Hunting Ground is an incredibly powerful film. Its main strength is the testimony of the brave survivors who tell their stories on camera – tales of harrowing victimisation, and narratives of resilience and strength as they take on the machinery of their universities and help each other through trauma and recovery. I am full of admiration for these survivors – their voices break the silence around campus sexual assault, and in the process become part of a long feminist tradition of sharing experience to create political change. They are both male and female, although it is a shame the film does not refer to (and does not appear to include) people of other genders, since recent research suggests that genderqueer and non-conforming students, along with trans students, may be particularly at risk.

The personal stories of The Hunting Ground are raw and honest: however, they are positioned within a rather dubious argument and agenda, which begins with the film’s title. Together with the soundtrack provided by the Lady Gaga track ‘Till it Happens to You’, it transmits a clear message: that male students are predators and female ones prey, in campuses more like wildernesses or war zones in which sexual assault is inevitable. As educator and a feminist who both teaches and has been taught that discourse reflects and constructs reality, I am not sure whether I want to ensnare young people within this kind of narrative. I also question its function and intent in a film which seems to have been produced to generate profit, judging by the costs charged to university staff and student groups who wish to show the DVD.

The film represents its ‘hunters’ as a small band of men with stealth weapons, who deliberately and systematically pick women off. This is based on the often-made argument that campus rape is a calculated, premeditated crime (usually violent) committed by serial sex offenders. This claim comes from the research of David Lisak, who argues that campus offenders are violent sociopaths who ‘groom’ their targets and coerce and terrify them into submission. Lisak’s assertions punctuate the film: we are told that 90 percent of campus assaults are committed by serial rapists, and that these men average six rapes each. However, Lisak’s research, and its subsequent usage, has been challenged: his initial paper was based on four different student dissertations, none on campus sexual assault specifically. It also did not distinguish between assaults committed on different victims and multiple assaults on the same person.

In contrast to this picture of the violent serial rapist, evidence from the UK suggests that many acts of sexual violence at university stem from a variety of more spontaneous boundary-crossings shaped by particular cultures of masculinity. This is not to underplay the seriousness of these assaults: indeed, their ‘everydayness’ is perhaps greater grounds for concern than the idea that there are a handful of men perpetrating multiple attacks who can easily be removed from student communities to keep everyone safe. The 2010 NUS report Hidden Marks found that a whopping 68 per cent of women students in UK universities had been sexually harassed. Furthermore, the survivors who testify in the Hunting Ground to a huge number of students with similar experiences appear to confirm that the scale of the problem in the US may not be restricted to a handful of violent men either.

A key insight of feminist theorisations of rape is that it is not perpetrated by men who deviate from social norms, but by those who exemplify them. Initiated by the black feminists of the US Civil Rights movements and subsequently articulated by the radical feminists of the second wave, there has also been a powerful argument that sexual violence is not just an individual crime but a practice which reflects and reproduces structural inequality through racialised and/or gendered terror. Ida B. Wells situated rape as a means of upholding white patriarchal power, while allegations of rape were deployed to justify lynching black men as a form of social control. More than 50 years after Wells’ death, Kelly’s continuum of gendered/sexual violence defined a collection of behaviours, from sexual harassment to sexualised murder, with the same social and political function: preserving male power by making women feel unsafe. These structural analyses work at the roots of intersectional power relations: a far cry from the idea that you can just punish some ‘naughty boys’ and make the problem of sexual violence go away.

The retribution-restitution narrative of The Hunting Ground calls on universities to mobilise disciplinary apparatuses, with the ultimate aim being the expulsion of offenders. This works alongside the idea that the most appropriate channel for victims to achieve justice through is the criminal law. This narrative has serious implications, given the sheer scale and ‘normalcy’ of sexual harassment and violence at universities: it also detracts attention from the cultures of masculinity and myriad forms of bullying and abuse which are shaped by the rationalities and practices of the neoliberal institution. What if we punish those ‘naughty boys’, and others emerge to take their place? What if we deal with an issue ‘over here’, and find that it is also endemic ‘over there’? There are also important intersectional questions about appealing to carceral systems, either within or outside institutions, which may be riddled with racism, classism and other oppressive discourses. Who is more likely to be problematised and targeted by these systems, and why?

The most valuable element of the film is its clear message about believing and supporting sexual violence survivors. Indeed, its footage of survivors caring for each other is equally inspirational and heartbreaking, because of the exacting emotional labour involved in filling the chasms – these are not just cracks – in institutional provision. As a survivor myself I understand that the idea of punitive sanctions is gratifying amidst deep anger and pain: however, this may be an unsatisfactory or incomplete response in institutions which are supposed to have a pedagogical mission. Furthermore, carceral approaches detract from addressing institutionalised sexism and other hegemonies in higher education (including those of the neoliberal university itself) which shape and produce bullying and violence. The neoliberal framework is also what creates financial disincentives for universities to uncover and address sexual assault, positioning it as a PR issue rather than one of student wellbeing and social justice. The Hunting Ground might short-circuit this by shaming institutions into action, but punishing ‘naughty boys’ will not help us to create campus communities where people are actually concerned with being good.